Genuinely one-off
The finish exists on your project and nowhere else.
Finish 03 / 09
When the specification does not exist yet, we develop it.
Overview
Some projects arrive with a reference image rather than a product code — a surface seen in a hotel in Kyoto, a colour pulled from a piece of stone, a texture that has to tie a room to a single piece of joinery. This is where custom work begins.
We develop bespoke finishes in the workshop: layered pigments, metallic and pearlescent overlays, oxide washes, burnished bronzes, sculpted relief and curved or radiused forms. The process is iterative — boards, feedback, refinement, approval — and the final formulation is documented and archived so it can be repeated or repaired later.
Why specify it
The finish exists on your project and nowhere else.
Stone, timber veneer, fabric, metal, a photograph — we colour-match to the reference in front of us.
Plaster follows form in a way sheet materials cannot.
Formulations are archived so a repair in year eight still matches.
We work alongside architects and interior designers through the development process.
Nothing goes on a wall until a board has been approved.
Where it works
Suited to the spaces below. If yours is not listed, ask — the answer is usually yes, with the right substrate preparation.
Our specialist process
Decorative work fails at the preparation stage far more often than at the finish stage. This is how we make sure it does not.
Confirming the system, the sample, the sheen and where the finish starts and stops.
Moisture, movement, flatness and porosity resolved before any finish coat is considered.
Hand application in thin successive coats, to the approved sample, under controlled conditions.
Terminations, protection removal, joint inspection under working light, and care guidance.
Project gallery
For architects & builders
The details worth writing into a spec. We are happy to review documentation before tender and provide system data for submission.
Talk to us about a specFAQ
In most cases yes. We work from the image to identify the likely base system, then develop boards to close the gap. Lighting in a photograph can be misleading, so we will always ask what the surface is meant to feel like as well as look like.
Two is usual. The first round establishes direction across two or three approaches; the second refines the chosen one. Complex metallic or multi-layer effects occasionally need a third.
Initial boards for a confirmed project are included. Extensive custom development for speculative or competitive work is quoted separately, and that cost is credited back if the project proceeds.

Start a project
Free consultation, site inspection and sample boards in your chosen colour and sheen.